We are pleased to announce Infinity Poison, a solo exhibition by Derek Mainella and our inaugural show. It will also mark Mainella’s first solo exhibition in London where he currently resides and his second solo show in the UK. Infinity Poison forms a gesamtkunstwerk in which Mainella’s usual painting practice takes a more passive role as co-spectator in an environment that addresses issues of consumption, food production and waste through superficial mimesis.
On entering the space our gaze is drawn to a video of a bonfire party, shot by the artist during a visit to his home city of Toronto in the summer of 2014, which provides the only true physical light in the exhibition. The video captures the frivolous nature of youth culture, whilst simultaneously revealing their capacity for critique and invention.
The paintings lit by the artificial glow from this single channel become an extension of those figures sat by the fire in the video, in doing so they expand the virtual loop of the monitor to that of the physical space of the gallery. The viewer becomes complicit in the actions of the video, torn between a shared moment over the flickering flames and that of wider environmental repercussions.
Mainella’s paintings composed primarily in digital space, present a futuristic visage of varying sentiment depending on the viewer. Each painting a variant of itself, engaged with historical modernism with due reverence, but also as a possible novelty Through Mainella’s pictures, our connection to the simplified form of the face usurps the need for outstretched art rhetoric, while the significance shifts here from of that the fetishized art object to the paintings acting as allegorical forms in the setting.